Its revolving-door atmosphere papers over some iffy acting, baggy dialogue, and more than a few minutes of wasted real estate.
The U.S.-made movies in the festival, perhaps unsurprisingly, reflect the content and range of styles typical of contemporary small-budget American filmmaking.
In comparison to its superior predecessors, Detour’s redemption plot feels banal and slight.
Treading well-worn ground to diminishingly creepy returns is a bone-deep problem for Zombie’s latest.