Bava’s ominous omnibus Black Sabbath is equal parts stunning and chilling.
The film is a still-relevant portrait of America’s schizophrenic relationship with gun violence.
The gallows silliness of Jacques Tourneur’s film wins out despite a slight collection of extras.
Hawks’s thrilling, conflicted, and viscerally charged film gets a stellar assortment of extras from Viva Vision’s Imprint label.
This sterling Blu-ray transfer is occasion for reconsidering the film as more than a minor entry in producer Val Lewton’s body of work.
The set includes several top-notch films, an overall excellent A/V presentation, and a bevy of bonus materials.
Mario Bava had spilled plenty of blood by the time he reached his 1974 swan song, Kidnapped.
As delightful as William Castle’s movies are in any venue, you lose out on one of their most appealing aspects when you watch them in the atomized privacy of your home theater.
The addition of a few Frankenstein sequels and James Whale’s Edgar Allen Poe films would have made horror fans all over Region-1 ecstatic.
New York Film Festival 2010: Views from the Avant-Garde, Pierre Clémenti’s Unreleased Reels
Souvenir, Souvenir, with its sharp, rapid edits between faces and bursts of sudden color, delights in dissolving people over animals and vice versa.
James Whale was a master of the kinds of effects that exist on screen in a durable and solid form.
Here are five performance pieces from one of Noo Joisey’s favorite sons.
Happy birthday, Mr. Corman.
Beautiful. Poetic. Scary. Take a walk with these nine Val Lewton classics.
The Black Cat is one of the neglected jewels in Universal Studios’s horror crown.