Is there some sort of a deep political hypothesis nibbling on a carrot and overseeing the action in this film?
Miss Lovely envisions a world in which Hollywood glamour has been passed through a filter of grime and decay.
Time will tell if the Academy’s newest rule adjustment will throw off the mojo of latecomers like Les Misérables.
What this poster truly exudes is heat.
Has cinema recovered from The Jazz Singer?
For a decade now, Paul Thomas Anderson has been American cinema’s giant-in-waiting.
There are, in this 158-minute film, a few effects, mainly photographic, that go right.
Garrett Brown might be the most influential filmmaker that the moviegoing public hasn’t heard of.
It’s become an industry workhorse not because he was any sort of Luddite, but because he thought the Steadicam encouraged lazy filmmaking.