The film thrives on ambiguity, keeping all things blurry outside its main character’s focused perspective, its myopia sustained by Luminița Gheorghiu’s tough, quietly intense performance.
Romanian writer-director Corneliu Porumboiu’s wry and cryptically titled film is both oblique and about obliqueness.
Călin Peter Netzer’s Child’s Pose, more than the complicated milieu it depicts, is at odds with itself.