I’m not sure what part of Snowmen doesn’t scream completely inappropriate, sentimental Manichean drivel.
The Last Song marries Hannah Montana moppet Miley Cyrus and soapy novelist Nicholas Sparks to unsurprisingly melodramatic results.
Shot with CW-level aptitude and inclined to end scenes on awkward comedic or dramatic beats, Post Grad haphazardly synthesizes moments of levity with gravity.
Writer-director Charles Oliver’s climactic twist merely nullifies any engagement with the characters’ prior plights.
John Cusack deserves much better than this sentimental slop.