Silverman discusses her current production and her relatively new foray into the world of musicals.
Criterion legitimizes this brilliant musical X-ray with a transfer that admirably refuses to moot its seamy, gritty, furious poetry.
Imitations, bastardizations, and endless co-opting of its surface style can’t dilute the supremely bitter rinse of Cabaret‘s horrors.
I’m a compulsive. It’s no surprise that my list is full of movies about compulsion.