Review: Frozen II and Its Recycled Stakes Quickly Get Lost in the Snow
Interview: Todd Haynes on Dark Waters and Being in the Crosshairs of Everything
Review: Shooting the Mafia Is a Sketchy Tribute to an Iconic Photographer
Review: Duet for Cannibals Is an Intriguing Mix of Pastiche and Parody
Review: The Good Liar Is Ambivalent to Both Genre and History
The 20 Best Rihanna Singles
Through the Years: Madonna’s Iconic “Like a Virgin” at 35
Review: Celine Dion’s Courage Digs Deep But Largely Comes Up Empty
Review: DJ Shadow’s Our Pathetic Age Paints a Grim Picture of Modern Life
Review: I Made a Place Finds Bonnie “Prince” Billy at His Most Existential
Review: Death Stranding Is a Surreal Elegy to the Work that Binds a Broken America
Review: Need for Speed Heat Revs Up with Ridiculous Action but Real Stakes
Review: Luigi’s Mansion 3 Is a Blast of Slapstick Hilarity and Cooperative Play
Review: The Outer Worlds Sticks It to the Man at the Expense of Humanity
Review: Overwatch’s Switch Port Is Great on the Go but Not at Home
Review: Season 3 of The Crown Makes Progress Look and Feel Wearisome
Review: For All Mankind Prioritizes Cynical Alternate History Over Character
Review: Apple TV’s See Feels Startlingly Uncommitted to Its Bonkers Concept
Review: The Morning Show Boldly Navigates the Nuances of the “Me Too” Era
Review: Season 2 of Jack Ryan Leans Hard on Generic Action and Stale Plotting
Interview: Lauren Greenfield on The Kingmaker and Threats to Democracy
The Best Stephen King Movies, Ranked
Kesha Gets Her Swagger Back in Raucous “Raising Hell” Single and Video
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
Blu-ray Review: John Sayles’s Matewan on the Criterion Collection
Blu-ray Review: Hayao Miyazaki’s Spirited Away Joins the Shout! Factory
Blu-ray Review: Criterion’s Godzilla: The Showa-Era Films 1954-1975
Review: Don Siegel’s Neo-Noir Thriller Madigan on Kino Lorber Blu-ray
Review: Carol Reed’s The Man Between on Kino Lorber Blu-ray
Review: Broadbend, Arkansas and Soft Power Are a Mixed Bag of One-Acts
Review: The Speed Is the Rub at Classic Stage Company’s Macbeth
Review: Scotland, PA Finds Its Purpose When It Sticks to the Bard
Review: Tracy Letts’s Linda Vista Doesn’t Make Enough Space for its Women
Review: The Lightning Thief Struggles to Summon Epic-Scale Spectacle
In Find Me, the Sequel to Call Me by Your Name, the Echoes of Love Are Resounding
The Very Queer In the Dream House Explodes Expectations of Memoir
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Boards of Canada’s knack for charming, even moving, melodies hasn’t dulled in the many years since their last album.
Win a Copy of Forager, a Blu-ray of Yellowstone: Season 2 Signed by Kevin Costner, and More
