Schlesinger’s film presents ’30s L.A. as a nightmarish circle in Dante’s Inferno.
Lucas’s massively influential nostalgia fest receives a sadly dismal transfer.
Nightmare at Noon gets a sun-drenched 2K restoration and a generous supply of extras.
William Lustig and Larry Cohen team up to bring you this curdled rumination on small-town Americana, jingoism, and the hell that is warfare.
Hillbilly Elegy feels like a bland feel-good story rather than one part of a longer tragedy with no clear end.
A solid pair of neo-noir obscurities personifies the anxious tenor of the 1970s while shedding intriguing light on the careers of their respective directors.
William Lustig’s surprisingly evocative widescreen compositions are peppered with an absurd parade of Americana.