Schlock films tend to have a certain sort of free-associative, on-the-fly intensity, even if they’re ultimately unwatchable.
Orca isn’t a cheap thrill, but it sure does seem like it’s in a rush to finish.
Orca tarnishes its own attempts at eco-consciousness in suggesting that whales are interested in a little blood payback.
Malibu’s Most Wanted is not, I repeat NOT, the single worst film ever committed to celluloid.