The series remains compelling in its devotion to exposing its characters’ public hang-ups and private strengths.
The key problem with Fringe is the same issue that made the better part of the last two seasons of Lost so utterly meaningless
Russell’s kinetic head trip about the dangers of scientific self-indulgence comes to high definition in a forgettable package.
Rather than waiting for a future payoff, Fringe is cashing in with every episode.
The second season of Fringe has not, unfortunately, picked up where the first season left off.
A barebones release for a well done, if often forgotten, miniseries.
The premiere of Fringe does not reveal much beyond what we already know about the mind of producer J.J. Abrams.
The film never truly gets underneath its increasingly troubled protagonist’s surface.
Chris Eigemanembodies an erudite prep school English teacher beset by ambivalence about his upper-crust professional milieu.
It’s not surprising that deducing the mysterious bad guy’s identity is as easy as spotting which actor seems most bored.
Dogville is less anti-American than it is, quite simply, anti-oppression.