Lizzie Gottlieb’s documentary is a celebration of a profound, dying privilege.
Eminem goes back to the future in the new music video for his single, “Rap God,”
It produces a collection of one-dimensional facts strung together with an utmost respect for chronology and documentary-making’s most stale conventions.
Madonna’s mother died when she was six. But you knew that already. The rest you probably didn’t know, but should.
The extras are disappointing, but you can’t really go wrong with Scorsese and the Stones.
Many of the images are indelible, catching subtle interactions between the band as well as epic gestures.
The film is a cute, quirky, but predominately superficial portrait of brainy wordsmiths.
It’s a shame not to be able to hear such a strong critic week in and week out.