The most famous of all Ingmar Bergman’s films receives a spotless 4K presentation.
These three films by Mai Zetterling are visually sumptuous and thematically trenchant.
Ingmar Bergman’s Cinema may be exhaustive, but with all the indelible beauty it contains, it's never exhausting.
Both versions of Bergman’s epic marital battle royale have been outfitted with grittily beautiful and highly detailed new transfers.
The godfather of contemporary postmodern art films remains vital, mysterious, and, thanks to Criterion, utterly gorgeous.
This superb edition of the film is lacking only a commentary by legendary Bergman fanboy Woody Allen, but let’s get real.
The Magician is Bergman playing dead in all possible senses of the term.
Nothing revisionist, but this collection is a warm, pleasant reminder for fans and a good start for newbies.
The film operates as though it contains the undiluted essence of life’s fueling dialectic formula.
Bergman’s most popular and studied film may not be his greatest achievement, but this Blu-ray confirms its cinematic grandeur.
When Bibi Andersson cries in an Ingmar Bergman film, it really seems to hurt her.
Ingmar Bergman dies in the morning. Michelangelo Antonioni dies at night. On the same day. In the middle of summer.
The Girls is a confused feminist manifesto, but it’s at least never boring.
Check out George Cukor’s Les Girls instead.