All this week we’re predicting the winners in the so-called Big Four categories at the 57th Annual Grammy Awards.
Starting tomorrow, we’ll predict the winners in all four General Field categories of the 56th Annual Grammy Awards.
If it’s all not quite enough to declare a new golden age, it’s certainly cause to be eager for what lies ahead.
House Playlist: Rick Ross & Jay-Z, Sisyphus, Actress, & Lancelot f/ Antony & Cleopatra
Hip-hop titans Rick Ross and Jay-Z have joined forces for a new track from the former’s forthcoming album.
Beyoncé’s new self-titled album takes her (and us) to some mighty weird and exhilarating places.
Epic is something close to an animated masterpiece provided it’s watched on mute.
However enticing the movie itself may be, the commercialism of Baz Luhrmann’s The Great Gatsby has been oppressive, to say the least.
It ain’t the nostalgia the repeat offenders at Concept Arts were going for.
What she declares about her craft is, thus far, the most telling element of the ever-chugging Beyoncé train.
Tonight’s half-time set at Super Bowl XLVII was quick, elegant, and full of elation.
Beyoncé, Kelly, and Michelle manage to convey more love for each other than any of the subjects the rest of the album’s track list ever received.
Memo to Jay-Z: Beyoncé is probably about to start poking pinholes in your condoms.
It’s awesome in distressingly fragmented ways.
Bonkers has always been a hat that Beyoncé has worn well.
“Telephone” has chosen the work of Quentin Tarantino as its visual and narrative inspiration.
While immensely entertaining, this is hard to consider very original or groundbreaking.
And now, a retelling of a recent conversation between two teenage girls and an older, wiser relative who gets owned.
Adria Petty’s video for “Sweet Dreams” one-ups the minimalism of the instantly iconic internet meme.
Call it a showdown between the two wannabes.
It’s as much of a bliss-out as Dave Chappelle’s Block Party, and as much of a collaborative achievement.