Split is personal and outlandish, with riveting plotting, somber storytelling, and elegant construction.
For 40 years now, girls have been telling their real-life Carrie counterparts to plug it up. But at least we know now that Edie McClurg is contrite.
As most of his films confirm, M. Night Shyamalan is far better at setup than payoff.
Half Phantom of the Paradise, half Obsession, Carrie is hysterical in every sense of the word.