Review: Lucky

John Carroll Lynch’s Lucky is an impeccably acted yet sentimental film that’s bashful about said sentimentality.

Review: Jackie

Pablo Larraín’s film bluntly hammers home the notion that history is framed by perception rather than reality.

Review: Faults

Riley Stearns’s film obliquely addresses its narrative mysteries through the conversational cracks of two people in enforced proximity.

Review: As I Lay Dying

James Franco’s readiness in approaching famously abstract source material certainly doesn’t translate well into his directorial formalism, or, more appropriately, lack of formalism.

Review: In My Sleep

Spectacularly witless, In My Sleep is another depressing reminder of what happens when you give cameras to jocks.

Review: Matchstick Men

Ridley Scott’s camera merely exaggerates what an overly mannered but impressive Nicolas Cage evokes just fine on his own.