The exceptional new transfer highlights the aesthetic charms of one of the first great comedies of the talkie era.
The film’s debt to Universal’s The Phantom of the Opera cannot be overstated.
After years of neglect in the public domain, it emerges renewed, phoenix-like, from a privately owned nitrate print.
King Vidor’s characters become aware of the largeness of the world as they hit their heads on the ceiling of their existences.
Love Me Tonight still stands as a definitive musical.
Kino’s smashing transfer anchors Mamoulian’s dreamy and precociously sexual masterpiece.