The Robber isn’t all it could be, but there’s a kernel of a great film in it.
It’s tiring when filmmakers claim that their work is anti-psychological, and then use technique as a smokescreen for dubious racial, sexual, and political views.
The Robber isn’t all it could be, but there’s a kernel of a great film in it.
It’s tiring when filmmakers claim that their work is anti-psychological, and then use technique as a smokescreen for dubious racial, sexual, and political views.