Deneuve is a bit like Garbo, in that we as an audience have always projected our own fantasies onto her phenomenal beauty.
New York Film Festival 2010: Views from the Avant-Garde, Pierre Clémenti’s Unreleased Reels
by Aaron Cutler
Souvenir, Souvenir, with its sharp, rapid edits between faces and bursts of sudden color, delights in dissolving people over animals and vice versa.
Clémenti’s cinema resists easy comprehension in much the same way its maker resisted society.