The hollow dazzle of Strictly Ballroom looks bold and sounds great thanks to Lionsgate’s strong transfer and packaging.
If 300 was an abomination of history, Zach Synder’s latest is an abomination of the power of fairy tales.
Though uneven, as the ironic portrait of an intensely disillusioned stop-motion community the film singularly succeeds.
Australia is corny, implausible, well intentioned, and even somewhat enjoyable in its own way, at least for a while.