The film was a decisive turning point for Sirk, kicking off a beloved string of loopy ’50s melodramatic masterpieces.
The mirrors are watching you in Bigger Than Life, one of the most effective horror movies of the ’50s.
It opens with a breathless orgasm of proofs to Murphy’s Law.
Color me slightly underwhelmed.
It Came From Outer Space remains the granddaddy of the ’50s atomic-scare pictures.
This is an essential purchase for fans and novices of Arnold’s films and ’50s sci-fi flicks.