The Notorious Mr. Bout romanticizes rather than humanizes its rather thorny subject matter.
One major reason that Malick’s films are so divisive is that they’re so nakedly emotional, that he’s so blatantly aiming for the sublime.
What is normal, really?
For our third installment of “The Conversations,” we decided to each select a film from the past 10 years that we thought was unfortunately overlooked and/or unfairly maligned.
The New World is a new watermark.