Another week, another Lady Gaga pseudo-controversy.
“Applause” is a surprisingly straightforward dance-pop song, neither forward-thinking nor retro.
The whole production is visually stunning, and there’s an illicit energy that comes from putting Gaga-as-Magdalene center stage.
“Telephone” has chosen the work of Quentin Tarantino as its visual and narrative inspiration.
The British designer’s aesthetic consistently reflected the music avant-garde, blurring the borders between runway and reality.
Where does Lady Gaga fit into the typical conception of a pop musician?