Second verse, same as the first.
Babylon is progressively feeling like a “circle the wagons” moment for a Hollywood.
Two indisputable trends come to a head in this year’s Oscar race for production design.
The episode is tone deaf in a memorable what-the-hell-were-they-thinking sort of way.
The show wants to both mock the no-bull crassness of political wheelers and dealers and cling to a moralistic view of government.
The use of The Best of Everything is a bit off, as Rona Jaffe’s novel was published in 1958 and the screen version was released in October, 1959.