The 25 Best Films of 2019
Slant’s Best Films of 2019: The Runners-Up and Individual Ballots
Review: Seberg Is an Ill-Defined Ode to an Icon of the French New Wave
Review: Black Christmas Takes a Simplistic Stab at the Battle of the Sexes
Review: Jumanji: The Next Level Finds a Series Stuck in Repeat Mode
The 25 Best Albums of 2019
The 50 Best Songs of 2019
The 12 Worst Christmas Songs of All Time
The 25 Greatest Beck Songs, Ranked
Review: Beck’s Hyperspace Is As Lyrically Vague As It Is Sonically Minimal
The 25 Best Video Games of 2019
Review: Mosaic Gets the Feel of Monotony, for Better and for Worse
Review: Shenmue 3 Brings Philosophical Depth to Video Game Action
Review: Star Wars Jedi: Fallen Order Successfully Channels Dark Souls
Review: Death Stranding Is a Surreal Elegy to the Work that Binds a Broken America
Review: Work in Progress Confronts Mental Illness with Heart and Barbs
The 25 Best TV Shows of 2019
Review: Truth Be Told Is Uninterested in the Malleable Nature of Truth
Review: Joe Pera Talks with You Digs Into the Truth About Our Preoccupations
Review: Servant Is an Unrelentingly Strange Examination of Grief and Denial
Kesha Gets Her Swagger Back in Raucous “Raising Hell” Single and Video
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
Review: Satoshi Kon’s Millennium Actress on Shout! Factory Blu-ray
Blu-ray Review: Ronald Neame’s Tunes of Glory on the Criterion Collection
Blu-ray Review: Benjamin Christensen’s Häxan on the Criterion Collection
Blu-ray Review: Fritz Lang’s Indian Epic from Film Movement Classics
Review: Jacques Rivette’s Joan the Maid on Cohen Media Group Blu-ray
Review: The Inheritance Is a Radical, If Short-Sighted, Take on Howards End
Review: Slave Play Is a Searing, Satirical Takedown of White Supremacy
Review: Broadbend, Arkansas and Soft Power Are a Mixed Bag of One-Acts
Review: The Speed Is the Rub at Classic Stage Company’s Macbeth
Review: Scotland, PA Finds Its Purpose When It Sticks to the Bard
In Find Me, the Sequel to Call Me by Your Name, the Echoes of Love Are Resounding
The Very Queer In the Dream House Explodes Expectations of Memoir
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
It’s difficult to believe Ryder’s gullibility, if not willingness to be caught in his uncle’s strange web of provocations.
Eric Valette’s even lousier American remake is something like the next generation of suck.
Win a Joker Digital Code, Downton Abbey and Fritz Lang’s Indian Epic Blu-rays, and More
