These are the winners at the 82nd Academy Awards.
This is a complete list of our predicted winners at the 2010 Academy Awards.
To hear everyone tell it, it’s all still going to boil down to a grudge match between Contender #1 and Contender #2, the same as it usually is.
The sound category that more often rewards nuance probably deserves a little bit more consideration than I gave to sound editing a few days ago.
We’re down to the wire, folks, and we’ve been saving some of the more contentious races for last.
Of the two sound categories, this is the one that favors artificially invented environments and sonic fabrications.
When Up in the Air couldn’t swing a nomination in this category, the race for best picture suddenly became a little easier to diagnose.
How do you solve a problem like Avatar? How do you hold a fluorescent, floating anemone in your hand?
We regret to inform you that Slant Magazine officially supports Avatar’s smurferific visual effects in this category.
Even the weakest of the bunch, James Horner’s predictable but atmospheric score for Avatar, doesn’t stir our bile beyond a simmer.
The British designer’s aesthetic consistently reflected the music avant-garde, blurring the borders between runway and reality.
In short, not so much the People’s Choice Awards, just more of the same.
Understanding Screenwriting #38: Precious, The Princess and the Frog, Me and Orson Welles, & More
The process of education has begun, which is what the film is going to be about.
James Cameron outdoes himself by creating a numinous and oneiric universe.
James Cameron’s Avatar is through and through his baby.