The episode is at its most artful when sound accentuates the way the storylines have been braided together.
The episode takes a break from the hatchet-faced military strategizing and obligatory slicing and dicing.
The episode provides more examples of the authoritarian fascism that gives this season an urgent sense of relevancy.
Angela Kang’s screenplay efficiently establishes the riches that are available to the Santuary’s elite.
Richard Linklater’s rowdy, sensual party odyssey is accorded a sturdy transfer that’s in dire need of a few evocative extras.
Everybody Wants Some!! luxuriates in a world that’s the platonic ideal of youthful indulgence.
The episode primarily focuses on two separate runs for supply—storylines that exist to create more forks in the narrative road toward the mysterious Negan.