Philippe Garrel’s The Plough is a minor addition to the iconic filmmaker’s oeuvre.
Criterion brings startling clarity to every telling movement and gesticulation, even if the package is light on contextual supplements.
Abdellatif Kechiche is a rhythm man, building the novelistically lyrical realism of his movies with the trickiest of notes.
Intimate Enemies dully critiques the international war on terror via the Algerian war.
Géla Babluani delivers gimmicky thrills posing as hard-nosed neo-noir with 13 (Tzameti).
Make no mistake, there’s an epic scope to October 17, 1961.
Time Out is a riveting account of a lone warrior carving out a personal niche for himself in an otherwise onerous landscape.