Just as Elephant is and is not about Columbine, Last Days is and is not about Kurt Cobain.
Not unlike the New York of Ferrara’s many films, Asia’s very tangible world is one that seemingly welcomes self-destruction.
xXx is more expertly-made trash from director Rob Cohen.
The Church is certainly one of the more successful Argento riffs ever made.
Only Michele Soavi has ever come close to matching the breathtaking awe of a hyper-stylized Argento set piece.
The visual effects fantastically morph the film’s frescos into illusory gateways into Anna’s subconscious.
Needlessly convoluted, yes, but batty sometimes in a good way:
Though Dario Argento is known for actively toying with camp, the film’s campiest moments seem unintential.