Agora is an odd duck, a cautionary tale for our fundamentalist times disguised as a swords-and-sandal epic.
This is catnip for boys who worship Michael Bay, James Cameron, George Lucas, and Roland Emmerich as gods.
Lebanon may as well have been titled What It’s Like Inside a Wartime Tank.
Take some notes, Dubya: Jamie Foxx has the anti-terrorism tactics you’ve been craving.
Israeli director Eran Riklis’s The Syrian Bride is a multifaceted story about a family’s wedding day preparations.
Are films capable of humanizing murderers without also invariably asking audiences to have compassion for the perpetrators?