The heart of the film is in the domestic scenes between the husband and wife.
We are approaching the middle of our shooting schedule, and finally making some headway.
Still and all, Preston is in full-on Captain Ahab mode and remains undeterred by the struggle.
Like most of the others working on God’s Land, I have a day job that has nothing to do with filmmaking or entertainment.
Even the trip to Long Island where we were shooting our scenes felt a little traumatic.
The 8-year-old boy, Matthew, is clutching his mother’s sleeve tight and holding her hand. He looks very pale.
This podcast commemorates the one-year-anniversary of Preston Miller’s Jones.