While female filmmakers might be in short supply at the festival, female subjects initially seem common.
Anton Corbijn constructs a stifling world of shadowy surveillance and intersecting national interests.
Arcade Fire has been more than a little bit coy about their new album, Reflektor.
George Clooney’s persona goes “dark” with a vengeance in Anton Corbijn’s The American.
Watching Anton Corbijn’s sumptuously shot Control, the wisdom of Werner Herzog filled my head.
Did Anton Corbijn shoot his load with his early work for Propaganda, David Sylvian, Echo and the Bunneymen, and Depeche Mode?
Corbijn’s myth-making images forgive no one just yet.