Banks’s new music video pays homage to Janet Jackson’s iconic video for her 1987 single “The Pleasure Principle.”
Kate Novack’s documentary is an act of template filmmaking, designed for maximum accessibility.
Michael Roberts’s film is an unabashed exercise in deifying its subject matter with superlatives and hyperbole.
Dior and I grants audiences insider access to the House of Dior.
It ain’t the nostalgia the repeat offenders at Concept Arts were going for.
Cunningham is astutely defined here as not simply a traditional photographer of clothing, but an anthropological historian.
A handsome DVD presentation of a useless documentary experience—an assessment Anna Wintour would say points to my insecurity.
The movie has gotten attention mostly for what it says about Anna Wintour, but the editrix comes out basically unscathed, no doubt by design.