Hulk is a surprisingly thorny exploration of the rotten heart of the military-industrial complex.
Whatever new technology facilitated its genesis, the film is just another assembly-line reproduction.
Ang Lee’s three-year marriage to the 120fps format appears to be in strong shape.
Ang Lee’s Billy Lynn’s Long Halftime Walk does astounding work animating the mind of its young soldier.
Lee’s aching study of the “me” generation provides a stunning array of period detail to give distinct form to the social disconnect and discomfort of the Nixon era.
We’ve rounded up 15 movie weddings that—aw, hell—take the cake.
Lee’s fantastical and frustrating Oscar-winner is kept afloat on Blu-ray by Fox’s highly commendable A/V transfer and a bundle of helpful, relevant extras.
Let’s try to rid our minds of the deplorable notion that Spielberg and Lee are contending for an award that belongs to Affleck.
Just as we’d expect from the Academy, there’s no shortage of lushness on display in this year’s nominees for best cinematography.
By now, most awards watchers are aware of Tony Kushner’s grand task of translating Doris Kearns Goodwin’s Team of Rivals.
The surefire frontrunners are Kathryn Bigelow, Ben Affleck, and Steven Spielberg.
The stage bred many of 2012’s finest film adaptations.
Consider Bigelow a virtual lock, tightening up the Best Director field alongside Steven Spielberg, Ang Lee, Ben Affleck, and, perhaps, Tom Hooper or David O. Russell.
Most filmgoers who see Lee’s magical-realist marine life, from bioluminescent jellyfish to migrating trout that fly, will be quick to dub the film the Visual Effects frontrunner.
Ang Lee’s latest, Life of Pi, signals its visual strengths from its very first frame.
Water is the key element in Ang Lee’s Life of Pi, employed by the director to flaunt a grand aesthetic and express grand existential themes.
Time will tell if the Academy’s newest rule adjustment will throw off the mojo of latecomers like Les Misérables.
Will the Academy really go for a star-free, Sendak-esque allegory, whose rugged charms are tied to its loose lack of answers?
It laughs at its hero, but recognizes that he is a hero nonetheless.
Ride with the Devil appeals more to the ears than the eyes and is more literate than cinematic.