Throughout, the film toggles between comedy, light surreality, and philosophical inquiry.
This package is the perfect opportunity to revisit a paragon of mid-aughts mumblecore cinema.
This rigorous film is concerned with questions of cultural appropriation and the very texture of life in our content-saturated present.
Bujalski discusses making films as balancing order with chaos.
The film celebrates the unrecognized willpower and perseverance that undergirds low-wage service work in this country.
The filmmaker scores some interesting points about how the work we do both reflects and affects who we are.
It seizes upon physical training as a resonant metaphor for the work and risk that are inherent in cultivating interpersonal connections.
J. Davis’s Manson Family Vacation is a disarmingly unpredictable tale of reconciliation between two brothers.
A faithfully lo-fi disc matches the deceptive asceticism and dense esoterica of Andrew Bujalski’s latest and greatest film.
Andrew Bujalski’s film sits at the nexus between spoken and written language.
Andrew Bujalski rejects the easy drama of the competition as a focus of Computer Chess.
Beeswax’s excess of ambition does not suit Bujalski’s modest but effectively unvarnished style.
Andrew Bujalski’s Beeswax is largely concerned with the imprecisions of language.
At what cost, naturalism?
Articulations of genuine feelings are coded within rambling discussions about everything and nothing.