Cirque du Soleil: Worlds Away 3D falls low on the stereoscopic totem pole.
The screenwriters are savvy enough to acknowledge that audiences have moved on from Ethan Hunt and the IMF.
Andrew Adamson puts far less energy into moral dilemmas than into an unfunny talking mouse lamely reminiscent of the Shrek director’s Puss in Boots.
The features on this elaborate two-disc collection have been smartly divided into two categories to mirror the different worlds of the film.
It focuses less on the ever-present and distracting bibilical allegory and more on its magic-and-monsters fantasy.
Credit Shrek 2 for being the rare sequel that more or less equals its predecessor.
Is it possible for a production company to crank out a cartoon fable without having it whitewashed with Disney’s fairy-tale idiom?