Let the debate and revulsion begin anew.
Criterion’s release of Schlöndorff’s director’s cut is occasion enough to bang The Tin Drum loudly.
Of the authorial trifecta that created Despair, Fassbinder’s voice is the most pronounced.
François Truffaut posits theatricality as wartime solidarity and resistance in his late-career hit The Last Metro.
Criterion’s very handsome transfer does wonders for the film’s gentle, practically caressing lighting and deep reds and browns.
Our man Greenaway stands alone in contemporary world cinema, for better or worse.
Greenaway creates his thesis over the decaying corpses of animals, which doesn’t inspire a middle-of-the-road kind of viewer response.