With her debut album, Lost & Found, Jorja Smith taps into a well of innovative, open-wounded songwriting.
It mostly succeeds in conveying a galvanizing sense of what made Winehouse so immediately engaging.
However enticing the movie itself may be, the commercialism of Baz Luhrmann’s The Great Gatsby has been oppressive, to say the least.
J. Cole is the only one nominated for best new artist that we can’t see winning.
Lioness: Hidden Treasures too often sounds like a cobbled-together cash grab.
The Recording Academy no doubt has oodles of tedium in the works for us at this year’s Grammy Awards ceremony.
MTV decimated whatever tiny shred of integrity its annual Video Music Awards show still had when this year’s list of nominations were announced.
Winehouse and company aren’t just expert mood-setters or crafty reconstructionists.