You can see just how much benefit the 4K format has to offer grainy, New Hollywood-era films.
Even Unsane’s most ridiculous moments coast on the sheer energy of Steven Soderbergh’s aesthetic gamesmanship.
De Palma’s technique reaches a new volatility here.
Crossing Delancey is unafraid of its ethnicity and its New York City flavor.
Twilight Time unleashes The Fury onto Blu-ray with a moderately successful upgrade in A/V quality and a paucity of extras.
The primetime debut of one of Criterion’s indies-in-residence, Soderbergh’s Oscar-winning drug war epic gets a terrific HD upgrade.
The film’s maudlin, self-sabotaging audience-coddling is right out of the Zemeckis playbook.
The Fury is the most crucial movie of all De Palma’s movies.
Half Phantom of the Paradise, half Obsession, Carrie is hysterical in every sense of the word.
The film is a Frankensteinian fusion of every thriller made in Hollywood from Rosemary’s Baby to Don’t Say a Word.
Hide and Seek is as nuts as Dakota Fanning.
It’s all about Alan Arkin and his all-too-real take on jealousy in the workplace.