Review: Vice

Vice is as noisy as the media landscape that writer-director Adam McKay holds in contempt.

Review: Justice League

When its tone slides firmly back into the murk, it’s hard not to see DC’s notion of heroism as borderline nihilistic.

Review: Arrival

Its searching images counterpoint the hyper-articulate methodology of its characters’ sense of uncertainty.

Review: Big Eyes

It doesn’t offer enough of Burton’s eccentricity to register as anything other than what one character derides as “that representational jazz.”

Review: Lullaby

Garrett Hedlund’s performance throbs with an anguish that’s far more honest than the sentimental euthanasia subplot at the center of the film.

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