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Decoding Madonna’s Disturbing “God Control” Video
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Review: SolSeraph Makes You an Angel but Traps You in Gaming Hell
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Review: Legion’s Unhinged Final Season Plunges Us into an Unknowable Mind
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Review: Years and Years Is a Captivating Dystopian Family Drama
Interview: Paul Tremblay on Growing Things and the Hope of Horror Fiction
Interview: Jack Reynor on His Reverse Hero’s Journey in Midsommar
All 23 Marvel Cinematic Universe Movies Ranked, from Worst to Best
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Terminator: Dark Fate Official Trailer: Going Back to the Well with Sarah Connor
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Review: Andrew Bujalski’s Mutual Appreciation on Arbelos Films Blu-ray
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The Myth of the American Dream: Francis Ford Coppola’s The Godfather Trilogy
Blu-ray Review: Bruno Dumont’s La Vie de Jésus on the Criterion Collection
Review: In Mojada, Immigration Is an Ill-Fitting Costume for a Modern-Day Medea
Review: Frankie and Johnny in the Clair de Lune Shines a Light on the Vagaries of Love
Interview: Terrence McNally on the Timeless Frankie and Johnny in the Clair de Lune
2019 Tony Nominations: Hadestown and Ain’t Too Proud Lead Field
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Review: The Beatles Through a Glass Onion: Reconsidering the White Album
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Despite the counter-culture subjects at its core, Daniel Algrant’s film possesses a put-upon hipness that cannot mask its disarming dorkiness.
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