Review: Maniac

Its audio-visual overload testifies to a group of filmmakers’ belief that some films are made to be remade.

Review: No One Lives

Ryuhei Kitamura’s latest genre bloodbath is par for the course, in spite of the occasionally flourish of interesting subtext.

Review: Bitch Slap

If the film’s half-baked salaciousness feels merely risible, its slapdash screenplay and cheapo look make it something that its generic forbearers rarely were: boring.