Review: The Dancer

The film ends up defining Loïe Fuller less by her innovations than by her willingness to suffer for her art.

Review: Reversion

It may look like a dream, but it plays like someone reading a congressional report on corporate finagling out loud.

Review: Girlfriend

Girlfriend is surprisingly backward not only in the story that entangles its main character, but also in its characterization of women.

Review: Ken Park

You’re destined for disappointment if you approach Larry Clark’s latest provocation as an actual film rather than a moment in time.