Brad Anderson’s Beirut shows how espionage might appeal to the sort of masochist who’s also an adrenaline addict.
Like its predecessor, Babak Najafi’s London Has Fallen is content to dumbly relish in the inanity of Mike’s rampage.
Brad Anderson’s Beirut shows how espionage might appeal to the sort of masochist who’s also an adrenaline addict.
Like its predecessor, Babak Najafi’s London Has Fallen is content to dumbly relish in the inanity of Mike’s rampage.