Car movies remind us of all the things that can happen when we turn the key.
Mad God offers a dense cornucopia of genre-fueled outrageousness that’s gradually united by a concern with cycles of warfare.
Brutal, trenchant, and unsettlingly surreal, Alex Cox’s Walker gets a spiffy new Blu-ray upgrade from Criterion.
Cox’s punk western has been dug up from the dregs of oblivion by Kino and handsomely given a long-overdue director’s cut Blu-ray treatment.
The film is Cox’s bravura confrontation of fairy tales and drug-addled bodies.
Criterion effectively (and correctly) resuscitates a cult object as a certifiable classic.
The Blu-ray upgrade of Cox’s film is an audiovisual improvement over earlier DVD editions.
Both the feature and the production history recounted in this package attest to the artistry of its unromanticized, downbeat vibrations.
Second only to Leone, Sergio Corbucci is the king of the spaghetti western.
Th extras offer a variety of opinions on the film that absolutely dwarfs the amount of barbiturates ingested throughout the narrative.
Iconoclastic British filmmaker and punk auteur Alex Cox is something of a film historian and conservationist.
Repo Chick mostly feels tired and more scattershot than usual for Alex Cox.
Straight to Hell Returns is a screwy and unsound blast.
Searchers 2.0 alludes to John Ford’s film in name only.
There are a hundred objections to The Searchers, none of which are as convincing as the film itself.
Álex de la Iglesia does it again but will anyone other than his established fanbase take notice?
Still and all, Preston is in full-on Captain Ahab mode and remains undeterred by the struggle.
Cox’s heartfelt take on the true-life relationship between Sid Vicious and Nancy Spungen could easily have been just another rock biopic.
The film abandons all clichés of the traditional bio-pic in favor of outlandish magical realism.
The film is still able to ironically laugh at the savagery and stupidity happening in our world right now.