Bullet-riddled and crackling with quotable dialogue, the film gets a handsome new 2K transfer and a handful of insightful extras.
An obsessively detailed chronicle of obsession, Ridley Scott’s debut feature gets a sumptuous Blu-ray transfer from Shout! Factory.
The film comes to Blu-ray armed with a superb A/V transfer and a solid packing of extras from Universal.
James Bond’s 23rd canon outing is burdened with the weight of 50 years of history.
Category fraud didn't begin with the Oscars. It began when the Razzies awarded Aileen Quinn worst supporting actress of 1982.
The primetime debut of one of Criterion’s indies-in-residence, Soderbergh’s Oscar-winning drug war epic gets a terrific HD upgrade.
One of the things I love about New York is how easy it is to find good movies here.
It’s so good on divorce, plate-smashing fights, and the bad behavior of disappointed lovers that it remains a small classic.
The film is a major, unwieldy film about breaking up.
The last third’s attempt to frame the drama as King Lear-level tragedy plays as an unnecessary reach.
There’s not much new here, aside from Lumet’s enthusiasm and simple craft.
Paul Greengrass’s latest plops on the screen with lots of hi-fi energy but, strangely, very little feeling.
The film is proof that liberal filmmakers can make movies that aren’t desperate manifestations of their political guilt.
The film suggests not so much the stirring of a soul as Sir Ridley grinding his teeth behind the camera.
Corpse Bride looks great but doesn’t hold a candle to The Nightmare Before Christmas.
Mike Johnson and Tim Burton’s film shows that imitation is the sincerest form of flattening.
Steven Soderbergh’s Ocean’s Twelve is a starfucking circle-jerk orgy that doesn’t even have the common decency to get you off.
Burton fans will be delighted by the excellent commentary-slash-chat-session between the director and mystery interviewer.
Big Fish is a cosmic gallery of gothic inventions and magical wish fulfillments.