Anderson’s strident, often uproarious, satire takes on a lot more than just the National Health.
At his best, Mazursky dramatized how sociopolitics informed American domestic life, deftly evading preaching.
Russell’s film, gorgeous as a landscape painting, explicit as the Kinsey Report, gets an essential Blu-ray upgrade.
Throughout, everything blurs together into a frenzy of outrageous emotions and hysterical behavior.
It looks and sounds incredible on the new Blu-ray, though more adventurous viewers may yearn for some thornier supplements.
While no classic of anti-establishment comedies, this swashbuckling spoof gets by on star power and perpetual motion.
In Celebration most definitely chafes at being made into a film.
A banal film receives an equally banal audio and visual presentation.
The Statement never delves too deeply into the pitch-black heart of its premise.
While the film may deserve the attention, it’s also anyone’s guess whether anyone will care at this point.
Just skip to track 9 and watch as Pierce Brosnon grabs on to the head of a nun and threatens to kill her. The rest is sleepy-time material.
The gears of sentimental uplift are effectively oiled in Bruce Beresford’s Evelyn.
A terrible video transfer for a remarkable film that, at the very least, is still wonderful to listen to.
In The Sum of All Fears, Evil is fond of anecdotes and opera music, speaks with ghoulish inflections, and consumes only luxury food products.
Mark Pellington’s latest pop thriller is as kooky and overeager as it is spooky and subtly in love with myth.
The game of Clue never looked as good as it does in Altman’s film.