We look back at some of the music inspired by the crisis that (eventually) galvanized a generation into action.
If Macklemore’s so-called advocacy is of questionable healthiness, then the woeful Dallas Buyers Club is downright toxic.
Vallée attempts a gritty approach to the inspired-by-true-events, issue-driven biopic formula.
Perhaps Matthew McConnaughey’s gifts as an actor will help form a template for narrow-minded bigots.
It’s as much a parody of the new horror breed as it is of the 1950s monster flicks.
It almost seems like AMPAS is trying to pull one over on us—or, at the very least, sneak one past us while we’re not looking.
What’s in store from there is a series of four or five other essays as long and verbose and warm-blooded as anything in the author’s two previous nonfiction collections.
At La MaMA, a group of downtown artists have concocted a theater piece that aims to take the sting out of death.
The devil’s in the details, the saying goes, and in the case of Mondo Lux this is certainly the case.
In a recent column, Andrea Peyser likened Madonna’s recent adoption of an African AIDS orphan to taking home a souvenir.