Simon Killer feels both carefully studied and willfully unfocused.
Is it possible for a cinematographer to be considered an auteur even more than the directors for which he works?
Antonio Campos, who is now 25, worked on the script that became Afterschool throughout college, and had begun it earlier.
We’re back again with our official “Best Introductory Segway Ever” and return guest Mike D’Angelo.
New York Film Festival 2008: Matteo Garrone’s Gomorrah and Antonio Campos’s Afterschool
by Vadim Rizov
The problem with Gomorrah isn’t that it feels incomplete or underdeveloped.