Review: Pixels

As a Happy Madison production, it’s exhaustively lazy, outside of its righteous dedication to the valorization of the man-child.

Review: The Cobbler

It evinces no interest in the people who come into Max’s store and wind up as fodder for his increasingly violent and self-absorbed escapades.

Review: Men, Women & Children

Jason Reitman fails to take into account any of the positive endeavors enabled by social media, which will no doubt be used to promote and market his film.

Review: Blended

It only bothers to lay out comedic set pieces that are simply family-friendly big-budget variations on Jackass stunts.

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