The film is a collection of old-fogey clichés, with a narrative that mixes a career retrospective with a road trip.
Dog Years is a collection of old-fogey clichés, with a narrative that mixes a career retrospective with a road trip.
Adam Rifkin’s documentary convincingly portrays the sense of community fostered by Giuseppe Andrews’s crazed passion.
If a WWE-produced film can’t get squared-circle action right, what can be expected of it?
At the very least, Adam Rifkin has some fun with his voyeuristic peeping-tom scenario.
A film like Underdog is best defined by its complete lack of distinction.
A quick perusal of the film’s IMDb message board yields a thread topic entitled “Dear God Why.” My thoughts exactly.